Middle Passage is the latest release for Jamaincan poet Malachi Smith, voted 2003 Dub Poet of the Year at the ReggaeSoca Music Awards in south Florida. Middle Passage is the poets third full-length release, and is available from cdbaby.com. Malachi stays true to his usual, diverse form, touching on subjects that span the realm of the human condition, and traverse centuries and continents on this Middle Passage journey. Middle Passage is a metaphor for the artist's own birth passage, and his personal slavery experience. "I was there in the loins of my ancestors," he proclaims. The collection is livicated to Malachi's Mama, and to all mothers of the African diaspora.
Several tracks are delivered in their original acapella treatment, which keenly showcases Malachi's lick-shot delivery. But the majority are set against instrumental arrangements, with smooth backing vocals and stepping riddims. Among these, "Question" stands out with it's persistent, unanswered query "Who mek dat gun deh?" By contrast, "Pocumania Politics" asks nothing, but says plenty:
"We tired, we tired, we tired, we no liar.
We tired of the Pocumania politics".
On "Jungle Fever" he pleads for relief from his ailment, playing doctor but finding no cure. Other noteable tracks include "Bob and Peter" and "Wi Neva Kno Dat". A founding member of the acclaimed Poets in Unity collective, Malachi has been writing and performing poetry since he wore short pants. He is also a recognized actor, playwright, and a former policeman, an experience which no doubt provides great fuel for the burning fire of his work. Buy Online at www.cdbaby.com/cd/malachimusic.
Jah Guide,
- Allie-I
In Middle Passage, Malachi has created a work that grapples with issues that range from global concerns about war to individual anxieties of love. Middle Passage reveals the best that reggae has to offer: the erotic charms of "Jungle Fever," prophetic warnings of "Pocomania Politics" and the social concerns of "Blue Morning." And all on one CD!
Malachi is at the top of his form with exquisite turns of phrase that embody profound social concerns driven by sweet melodies. For example, in "Blue Morning," he laments: "The same place in the river
Middle Passage solidifies Malachi's stature as one of the preeminent dub poets of our generation. Musically and lyrically, this is great CD by any standard.
Blessings,
Godffrey
